Theo Eshetu has worked in media art since 1982, creating installations, video art works, and television documentaries. As a videomaker, he explores the expressive capabilities of the medium and the manipulation of the language of television. Exploring themes and imagery from anthropology, art history, scientific research, and religious iconography, his work redefines how electronic media shapes identity and perception. World cultures, particularly the relationship of African and European cultures, often inform Eshetu’s work.

Theo Eshetu was born in 1958 in London and grew up in Addis Ababa, Dakar and London before establishing himself in Rome. He currently lives and works in Berlin. Throughout the '80s and '90s, his works were shown at major video art festivals, receiving awards in Berlin, Milan and Locarno. Eshetu's works have been presented at Von Verdrängtem, Der Nacht Und Der Farbe Schwarz (2018, curated by Heidi Brunnschweiler), Documenta 14 (2017), the Deutsche Bank Kunsthalle (2015), Göteborg Biennial (2015), Kochi Biennale (2014), the 54th Venice Biennal (2011), the Sharjah Biennial (2011), The Tropics (2009, curated by Alfons Hug) and Snap Judgements (2006, curated by Okwui Enwezor).